A VERY CLEVER IMITATION

       the horseshoe, nailed to a tree, has slipped points down,
       and all the luck's run out, rain and moon.

       I believe in messianic things: self-evident,
                pure and natural stigmata,
                the decay of fruit, cobbles in streams.
       I know where they go, as I know where they've been,
       the way stones rise from the field, they
       float to the top of the earth without asking.

       that time hiking up the creek to the falls,
       we climbed over barbed wire, and she knew I saw
       her cutoff's purple stain, red thin line.
       she's mentioned it since, one side blushing,
       the other daring me to deny it,
       throwing it at me--"See?  I am human!"--
                 waving the flag.
       I've never doubted that, no.  I believe.

       we finally found my great-grandfather's marker,
       high on a ridge, chipped and leaning.
       the marble turned to powder when touched:
                 calcite white, moldy greens and grey.
       we ate pears from the graveyard tree
       and did a rubbing for her bedroom.
       only when the crayon pressed against the paper
       did we see the palace and chiseled clouds,
       and floating above this hard heaven, an all-seeing eye
       like the back of a dollar-bill.

       I learned of her first ten lovers
       sitting on a rock in a dry creek bed.
       maybe nothing's proven by pear juice or blood.
       human is as human does, after all --- bodies aside.
       all those flat stones and no water for skipping ---
 
       it's not the number.
       it's the tone of dismissal,
       the way I know they never mattered,
       not even when she told them they did.
 
       well-oiled, she'll never rust like that horseshoe.
       no, not even that slow, cold fire for her ---
       black pool, distant Masonic eye.

       you see, she never blinks.